I make a discovery.

I find a bag of money!!!

It is a clear plastic bag, of the sort that they give you in banks. I pick it up from beneath the pile of household bills, where it had been hidden.

There are some notes in there, and many coins. I study the bag in puzzlement.

“Is this your money?” I ask the LTLP, who has arrived in the kitchen to check that I am not doing something that I shouldn’t.

The LTLP denies all knowledge of the money, and is as confused as I am. We don’t use bank bags, and certainly won’t have mislaid forty-five quid without noticing.

“Whose could it be?” she asks.

“It is like some weird reverse burglary,” I ponder. “Have we lost anything to the value of about forty-five pounds? That somebody could have paid us for, without us knowing?” It seems unlikely.

We go through a mental list of people who have visited the Cottage in the past couple of weeks, and whether they would have been anywhere near our pile of household bills. My sister, RonnieB, seems the most likely suspect.

“Did you lose any money when you visited?” I ask her, using the telephone.

“Yes! I did!” she replies.

“How much?” I demand.

“It was – umm – about two hundred pounds?” she replies.

I put the phone down, and park myself in an armchair to consider the problem. Having always been a fan of the Sherlock Holmes books, apart from ‘The Engineer’s Thumb,’ this is my opportunity to follow the methods of the great detective. It is not often that the normal layperson is presented with this sort of opportunity! I do not have any cocaine to hand, so I pour myself another glass of wine and have a quick strum on the banjo.

The bag is clear, and contains money. What am I seeing but not observing? Before too long, I start to get into the Holmsean mindset.

“Sniff this,” I request. “Would you say that the bag was the property of a smoker?”

The LTLP smells the bag. “No,” she says.

“Oh. I thought it was,” I reply. Already we have had a breakthrough and established that the money may, or may not, have belonged to a smoker.

“We don’t use bags like this,” I say. “The only time where we might have a bank bag is if we were going on holiday and had some foreign money. Maybe we then transferred the foreign money to our pockets, swapping it with the English money?”

“When, precisely?”

I open the bag with forensic hands. Carefully, I take each note and coin and examine their dates, one by one. When I am done, I announce my findings. “The newest coin in here is from 2008. So the bag has lain there no longer than that. Where that’s foreign have we been on holiday since 2008?”

“But I tidied up that shelf last week,” she replies. I am a little disappointed that she is not more impressed with my timeframe deductions.

I ponder some more. I am seeing, but not observing. Seeing, but not observing. The coins are of mixed denominations, and so don’t fit the profile of raffle ticket money, or a float for a market stall. The answer, I am sure, is in the bag.

“Let’s work through the case slowly,” I say. “You have a bag like this for one of two reasons. Firstly, if you get an exact quantity of money from the bank. But the coins in here are mixed, so it is not that. Secondly, if you have money that you want to keep separate from your other money, because it has some significance or something.”

I clasp my hands together as my brain works overtime.

“I’ve got it!” I shout triumphantly. And I have – I really have solved the mystery. “It’s my money. John Twonil gave it to me on Thursday as my share of the snooker club funds.” She stares at me. “I was a bit pissed at the time,” I add.

I wave the money around, happily. “You see? By following the methods of Sherlock Holmes, it’s possible to solve any problem.”

“You do not need to follow the methods of Sherlock Holmes when it is your own fucking money,” she replies.

A short, topical diversion on ‘I’m a Celebrity Get Me Out of Here.’

A few years ago, I was contacted by the Producer/Executive Producer/Top In Charge Thing Man of a new ITV show.

Was there any chance, he asked, of coming up with some sort of website for him? He didn’t really have any money – oh, and it would have to be done quite quickly as he was off to Australia in two weeks, for the opening show. But this internet thing looked an interesting development.

Things I should have done, following contact from the Producer/Executive Producer/Top In Charge Thing Man of a new ITV show:

Race over to see him to discuss it. Leave my job, taking the brightest and best people with me, paying them out of my overdraft, money raised on credit card cheques and the sale of my furniture and heirlooms. Agree to work day and night to build and run a brilliant website for nothing, in return for the online rights to the brand for a fixed period and a share of merchandising sold through the web. Retire to Barbados ten years later.

Things I should not have done, following contact from the Producer/Executive Producer/Top In Charge Thing Man of a new ITV show:

Write him a polite but firm email telling him to eff off and stop wasting my time. Write a further email to everybody in my entire company, explaining that some idiot was planning to take G-list celebrities to a jungle in Australia and make them do moronic tasks, for the sake of a TV show that was clearly going to embarrassingly and publicly bomb. Press ‘send’ (twice).

This thought crops up every year at about this time, as I traipse out into my small garden in Norfolk to offer the chickens some scraps.

I witness bullying amongst the chickens.

“Stoppit! Stoppit!” I shout, as the big chickens peck furiously at the scrawny one.

I wave my arms in their direction. The big chickens skulk away. They are like all bullies, who are cowards and run away if you stand up to them, apart from the ones that were at my school.

I tramp off to see Short Tony, keeping an eye on the perpetrators as I leave.

“There is bullying in the henhouse,” I report to him. “The Light Sussexes were assaulting the small one with a wonky comb.”

“Samantha Sad?” replies Short Tony. He calls the weak, scrawny chicken ‘Samantha Sad.’ I think this might be contributing to its self-esteem issues.

“That’s the one,” I confirm. “No wonder it has been hiding in the henhouse all day. I lifted it out as I was a bit fed up with its insipid behaviour. But the other chickens just started attacking it.”

We consider this for a while. Chicken bullying is a problem that we have not faced before, and we are at a bit of a loss as to how to address it.

“I suppose I could get some posters made up,” ponders Short Tony. “To try to make them realise the pain that they are causing.”

“And to let them know that we have a zero-tolerance policy towards bullying in the henhouse,” I agree. “Either that, or we could shoot the smaller one and eat it.”

This is good. Nobody can say that we are not problem solvers. We have been faced with this difficult issue, and already we have come up with two excellent solutions.

“I will keep an eye on things,” I promise, as I take my leave. Bullying is not big and it is not clever, and being a chicken is no excuse.

I receive some drum sticks from Pink Floyd’s Nick Mason.

“What is it?” demands the LTLP, casting searching glances at the unusually-shaped package

“It is some drum sticks. From Pink Floyd’s Nick Mason,” I explain, turning them over in my hands in wonder.

Drumsticks!!! From Pink Floyd’s Nick Mason!!! I am both taken aback and lost in amazement. It is great being an author, comfortable in such celebrity circles. But I am not too big to acknowledge that I am a huge fan of this man who, in many ways, defined the Pink Floyd sound, ensuring that their songs went ‘bom, tish, bom, tish, bom, tish, bom, ba-bom’ rather than ‘bom, tish, bom, tish, bom, tish, bom tiddle-dee-omm-pomm bang boo.’ (I apologise if this is a bit technical; I am trying to draw a balance.)

The drum sticks are signed, with a little message. Honestly, this is the best thing that has happened to me, ever. I resolve to be cool about it, however, and not get carried away.

Later, I go to bed, having practised some air drumming. They would be excellent drum sticks, even without their huge celebrity connection. They make the air sound massive, like a wall of post-psychedelic four-four sound. But I am determined not to get carried away.

My dream that night is that I am the drummer in Pink Floyd. This is a bit odd, as I do not normally dream, and they already have a drummer (who has sent me some drum sticks – see above), but obviously he has been sacked and replaced with me. Paradoxically, I am using my Pink Floyd’s Nick Mason drum sticks to do the drumming with, and luckily I seem to be a much better drummer in my sleep than I am in real life. It is brilliant. We play all their album tracks. Fortunately, I am still being cool and not getting carried away with things.

Disaster!!! One of the drum sticks breaks during a fill in ‘Comfortably Numb.’ The bulby bit at the end snaps clean off, leaving me with one intact drum stick, and a celebrity-signed piece of wood. At this point I wake up with a horrible jolt and there is sweat pouring off me, presumably due to the exertion of drumming in my sleep.

At this point I weigh up whether this is very very sad or not. I decide not, as I am a very grounded person, and not the sort of man to get carried away with some silly Pink Floyd’s Nick Mason drum stick fantasy existence; honestly, this sort of thing I am quite blasé about as it happens all the time.

Later, I see Short Tony in the pub.

“I got some drum sticks from Pink Floyd’s Nick Mason,” I tell him.